![]() ![]() Text links on the MIT Technology Review website should be blue (hex code #206f96) and underlined. Larger images should be no wider than 519px. When an image is 300px wide or more, it will be displayed in alignment with the body text. If an image is 299px in width or less, it hangs into the margin with the caption tucked underneath it. !(/img/elements-images-3.jpg)Īrticles can support images as wide as 519px. # Example of a thumbnail at different sizes throughout the website We size our thumbnails to be 392 x 392 pixels so that if that image is selected as the A1 story, it will be large enough for the A1 on the home page. To ensure consistency in layout, the dimensions of the thumbnails are always square. There are a few different ways we place images in stories.Ī story's thumbnail is used in a variety of places across the website including stream pages, various sections of the home page, and related content boxes. !(/img/elements-typography-2.gif)īenton Sans is a typeface that is the result of Tobias Frere-Jones efforts to study and redesign News Gothic in 1995, which was later expanded by Cyrus Highsmith.īenton Sans is used mostly for utility and navigation purposes. ![]() On our website, we use Miller almost exclusively for headlines on article pages. Miller is faithful to the Scotch style though not to any one historical example - and is authentic in having both roman and italic Origin, widely used in the United States in the 19th century. Miller, designed by Matthew Carter in 1997, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish It's used for body text, metadata, story lists and streams, comments, and other widgets. Neue Haas Grotesk is the most widely used font on the MIT Technology Review website. In 2011, type designer Christian Schwartz restored the original Neue Haas Grotesk in digital form – bringing back features like optical size variations, alternate glyphs, and refined spacing – and captured much of the warmth and personality of the original. Translation as the designs were reworked for changing typesetting technologies. Originally released as Neue Haas Grotesk, many of the features that made it a Modernist favorite were lost in The digital version of Helvetica that everyone knows and uses today is quite different from the typeface’s pre-digitalĭesign. Even despite sidebar-comment approaches similar to Genius in other industries, including notes on content platform Medium and annotations on Quartz articles, most lyrics-dedicated sites have been stagnant and unimaginative.Fundamental building blocks of MIT Technology Review's digital styles. Google recently began showing lyrics in their search result pages as part of their Knowledge Graph, but beyond requiring a click through to the song available for purchase in their Google Play store for access to the full lyrics, their method of displaying lyrics is no more advanced. Perhaps the most notable innovator in the genre is Genius - formerly known as Rap Genius, the site’s sidebar annotations now extend to multiple genres and even outside the music sphere to news and entertainment, and infrastructure to help “annotate any page on the Internet” is currently in beta. ![]() Lyric websites have been a staple of music-related search results since the start of the millenium, but the format of presenting lyrics on many of these sites has remained mainly the same since their inception: plain text with no supplementary information or interactivity. ![]()
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